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An appeal to the guerreros/warriors opens the "Oru de Oro" suite
(tracks 1-10), as practiced in traditional ceremonies The door to a sacred journey swings open (Eleggua). The ensemble weaves itself around beautiful melodic batá conversation, as it does from beginning track to end track---here, shifting gears to 7/4 solos against the 4/4 moving train of the bata (Oggun) and then downshifting for the creep of the hunt as Ochosi spots, pursues and moves on his prey. Tenor and alto solos culminate in a short group improv and batá make the final sprint.

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Michele Rosewoman New York, New York

Ms.Rosewoman's New Yor-Uba ensemble debuted at NYC's Public Theatre in 1983, presenting an uncompromised synthesis of contemporary jazz & traditional Cuban folkloric music, uniting masters from both worlds. Their 2013 release was NPR's #1 Latin Jazz Record of the year.Her Quintessence ensemble (with 5 highly acclaimed releases) has consistently brought together the most inventive voices in jazz. ... more

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